I start by building up a multi-track recording, part by part, in the PSR-SX900 (up to 16 channels) - mistakes and all. and the only way to master seems to be to play the mix in real time and record it into another bit of audio software. – all the stuff I can easily do in Cubase with audio and instrument tracks.Īnd there doesn’t appear to be any way to manipulate the audio with any basics, like compression, limiting, EQ, etc. And I’m guessing that’s the reason I can’t render the Yamaha tracks into audio, group them, add most effects, etc. My concern is that Cubase may well have the same MIDI data as the keyboard, but it doesn’t have any of the track voices on board so Cubase is, essentially, just “playing” the SX900, which has to be switched on to hear anything, of course.Ĭorrecting the note information for each part in Cubase seems to work in exactly the same way as for, for example, a VST (HALion Sonic) instrument, but it appears that Cubase is just acting as a remote keyboard controller so I’m just altering the MIDI date which is still controlling the voices on the PSR remotely, rather than in Cubase itself. I set each track to carry input and output data to/from my external Focusrite interface and all the voices from the Yamaha keyboard are reproduced just as they were recorded on the keyboard. Looking in the List Editor it shows the numeric code for the Yamaha voice for each track and then all relevant MIDI data. Cubase recognises all the data, track by track. The way I work is that I record the multi-track session (containing my many mistakes) on the SX900 and transfer the whole “song” onto a USB stick and then import that data as a MIDI file into Cubase (Pro 11). I’m fairly new to all of this so I hope I describe things properly.
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